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What am I looking for in a sketchbook assignment?
Students should spend one to two hours on each sketchbook
assignment. You will have an opportunity to do some of the work
in class, but sketchbook assignments are generally considered
homework assignments.
Usually, sketchbook assignments are worth 100 points. You
don't want to blow them off. A zero is hard to recover from if
you don't turn in a sketchbook assignment.
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Think about your drawing as you plan it... have you
used several of the elements of art (line, shape,
form, space, value, color, and texture) in a special
way?
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Tips:
Use the entire page... don't draw little in the middle.
Fill the picture plane in an interesting and beautiful
way. That's what makes a good composition.
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Need some ideas?
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The term ASAD means draw with
"all shading and detail." Fill the page,
at least one hour a week of sketchbook work is expected!
Challenge Yourself!
| Due Dates |
3rd Quarter Sketchbook
Assignments |
Jan. 10
Monday |

Design a simple landscape that features one tree or bush that has a
personality. Show us the branches and the root system. Make it
interesting--show us the bulges, the swirly textures, the way the forms
twist and turn. OUR EMPHASIS IS ON LEARNING TO SHADE THINGS AND
MAKE THEM LOOK THREE DIMENSIONAL. Nothing in the drawing should
look flat. Use a wide range of values--light and dark tones. Position
your form in the foreground and show us what is in the background. Do
not position your focal point in the center of the page.
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Jan. 18
TuesdayNo School- Monday |
Find a magazine or
newspaper photograph of a person looking full forward. The photo should be
at least 5" x 8". Cut the photo down the middle. Glue one side down to
your sketchbook page. Draw the other side using pencil and full shading.
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Jan. 23
Monday |

After perusing the list of fears and phobias below I'm sure you came
across quite a few that seemed just a bit silly to you. Choose the most
outrageous phobia from the list on the attached link and dedicate a page
in your sketchbook to a design about the silliest phobia you found. Feel
free to incorporate text, images, materials, etc, anything that will
1)assist you in creating an awesome design which moves our eyes
purposefully throughout the space and 2)best represents the silliest
phobia.
The Phobia List
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Jan 31
Monday |
Objective: Make a collage combining
collage techniques (layering, juxtaposition, and/or appropriation) and
drawings that expresses a story or collection of stories from your
childhood.
Pre-planning and Brainstorming:
Interview someone (or multiple people!) who watched you grow up,
particularly between the ages of 1-5 years of age. What were you like?
What is something that they remember you doing/saying/etc. that you
never knew before? Was it funny, cute, annoying, scary, silly? Is there
a particular story that they remember that you may not because you were
so young?
Use the information you gather as the starting point for a collage.
What to consider:
LAYER, LAYER, LAYER! How much will you show? How much will you hide?
Draw over your
collaged areas, incorporate text
if you want, but above all else PLAN!
Consider a sense of VISUAL MOVEMENT and how you will move our eyes
throughout your piece with purpose and intent (in other words, don’t
just slap a bunch of materials down, plan out your composition!)
Consider using text. What words are vital to the story you are trying to
communicate?
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Feb.
7
Monday |



"Whoever wants to know something about me (as an artist, the only
notable thing) ought to look carefully at my pictures and try and see in
them what I am and what I want to do." -
Gustav Klimt
Think carefully about your belongings,
however meaningful or trivial they may seem at a quick glance, and
consider what they say about you, your personality, and your life. Set
up a still life consisting of similar objects that will communicate some
personal component of who you are.
Things to Consider:
-a light source. Dramatic lighting
can enhance contrast and mood within an artwork (consider using a
flashlight, table lamp, spotlight, candle, clip lamp, etc.)
-COMPOSITION! Always, always,
always consider how you will arrange your composition and create a sense
of VISUAL MOVEMENT throughout your artwork
-Repetition of similar objects or
shapes to help move your eye around the work
-a wide range of value, from the
darkest
darks to the lightest lights
-Background! What is in your
background? Consider using fabric, different heights for your objects,
etc. A drawing with no background is not a complete drawing, but rather
objects floating in nothingness.
-a sense of space (foreground,
middle ground, background)
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Feb.
14
Monday |
If
you had a candy bar named after you, what would it look like and
what would it be called. Show great detail in the creation of the logo and
the label of your bar.
Extra credit add color! |
Feb.
21
Monday |
Create an artwork
using non-traditional materials or media. These might be: make-up; food
substances; natural substances – crushed flower petals, berries, etc.; and
other materials such as white out or shoe polish. |
Feb
28
Monday/ |
Make a work of art
that is composed only of writing. You may use some meaningful statements,
poetry, quotations or ideas for work. Your idea should be both visually
complete and work with the text. |
| End of 3rd Quarter |
Thursday March
3, 2011 |
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